This is my favourite one! http://browse.afotobox.com/Daniel_Wright I'm so happy to share it with you!
Daniel Wright
Saturday, November 12, 2016
Sunday, January 17, 2016
Friday, September 12, 2014
Wednesday, June 19, 2013
Saturday, April 11, 2009
World Class Corps Repertoires-2009
World Class Corps Repertoires-2009
1) Cadets - Music of Leonard Bernstein: Rumble, Cool; I Have A Love & Tonight from West Side Story
Carolina Crown - The Grass Is Always Greener - music from Aaron Copeland to Elvis Costello. -
2) Cavaliers - The Great Divide - Extreme Makeover by Johan De Meij - Pampeana No.3-Impetuosamente by Alberto Ginastera - The Engulfed Cathedral by Claude Debussy - On the Great Divide by John Adams.
3) Colts - Fathoms (about the ocean).
4) Crossmen - ForbiddeN - Medea's Dance of Vengeance by Samuel Barber - My Immortal by Evanescence.
5) Madison Scouts - Relampago: Mvmnt. 1. The Forces of Nature-Original Music by Vince Oliver and Malaga by Bill Holman. Mvmnt. 2. Two Left-Footed Mambo-Baron Cimetiere's Mambo by Donald Grantham. Mvmnt. 3. Love is in the Air-Original Music by Vince Oliver. Mvmnt. 4. A Turn to the Dark Side-Candela by Gabriela Ortiz
Mvmnt. 5. Relampago's Triumphant Return-Margaritenia by Inocente Carreno.
6) Phantom Regiment - The Red Violin.
7) Santa Clara Vanguard - Ballet for Martha (a ballet score commissioned in 1942 by Aaron Copeland for his friend and dancer Martha Graham; it includes Appalachian Spring).
8) Spirit of JSU - "Live...In Concert!".;
9) Troopers - Western Side Story.
1) Cadets - Music of Leonard Bernstein: Rumble, Cool; I Have A Love & Tonight from West Side Story
Carolina Crown - The Grass Is Always Greener - music from Aaron Copeland to Elvis Costello. -
2) Cavaliers - The Great Divide - Extreme Makeover by Johan De Meij - Pampeana No.3-Impetuosamente by Alberto Ginastera - The Engulfed Cathedral by Claude Debussy - On the Great Divide by John Adams.
3) Colts - Fathoms (about the ocean).
4) Crossmen - ForbiddeN - Medea's Dance of Vengeance by Samuel Barber - My Immortal by Evanescence.
5) Madison Scouts - Relampago: Mvmnt. 1. The Forces of Nature-Original Music by Vince Oliver and Malaga by Bill Holman. Mvmnt. 2. Two Left-Footed Mambo-Baron Cimetiere's Mambo by Donald Grantham. Mvmnt. 3. Love is in the Air-Original Music by Vince Oliver. Mvmnt. 4. A Turn to the Dark Side-Candela by Gabriela Ortiz
Mvmnt. 5. Relampago's Triumphant Return-Margaritenia by Inocente Carreno.
6) Phantom Regiment - The Red Violin.
7) Santa Clara Vanguard - Ballet for Martha (a ballet score commissioned in 1942 by Aaron Copeland for his friend and dancer Martha Graham; it includes Appalachian Spring).
8) Spirit of JSU - "Live...In Concert!".;
9) Troopers - Western Side Story.
Friday, April 3, 2009
The Cavaliers 2006 "Machine" performance tops it all!
I first saw this performance at a DCI Countdown theatre last year and was blown away. Now that the newest installment of the DCI Countdown is coming to a theater near you I thought I would post this before I forget it.
It is a very percussion-oriented show, and the drill is just impeccable. The show tells a story of machines and the world of automation: robots, metal and impersonal Borg-like beings (from Star Trek The Next Generation) who try to assimilate new sections of the corps (Invasion of the Body Snatchers-style) into their "collective" consciousness. Maybe I am reading too much into this since I am such a fan, but it was an awesome reminder of the Trek universe. The physical body-language, acting, and poses, especially the guard-work, were creative and
sharp. It all comes to a head at the end when the colorguard "robots" finally assimilate the last straggler: a snare drummer. But he gets the last word by playing the last note of the show.
It is a very percussion-oriented show, and the drill is just impeccable. The show tells a story of machines and the world of automation: robots, metal and impersonal Borg-like beings (from Star Trek The Next Generation) who try to assimilate new sections of the corps (Invasion of the Body Snatchers-style) into their "collective" consciousness. Maybe I am reading too much into this since I am such a fan, but it was an awesome reminder of the Trek universe. The physical body-language, acting, and poses, especially the guard-work, were creative and
sharp. It all comes to a head at the end when the colorguard "robots" finally assimilate the last straggler: a snare drummer. But he gets the last word by playing the last note of the show.
The Cadets 2006 "the zone"
This show is amazing! It has only a few lapses in the brass and minor timing problems with percussion, but the creativity, originality and expression and overall execution of the show make up the difference. The story that is told has many elements: beauty, playfulness, technical virtuousity, lush dreamlike sequences and a kickin' ending that gives me goose-bumps and quite a rush every time I listen to it.
The opener has a mysterious bit of pit percussion with the notes from "The Twilight Zone" theme song (you know, doo-doo-doo-doo, doo-doo-doo-doo...). Then what follows is the verbal monologue we all remember from the series. Then comes an explosion of brass and movement like we've not heard in awhile (are you awake now? I know I am.)
Then there is some quotes from "Alice in Wonderland", with a singsongy piece... very playful and evocative of a rollercoaster ride, cotton candy in hand. :)
The ballad is so powerfully emotionally to me that I cease to be my usually
objective self! By utilizing a female voice as an instrument: not singing words but
syllables (almost like scat singing), the Cadets may have added a new tone color
to drum corps. I think George Hopkins was onto something when he suggested
this rule change. The activity has taken a new direction with all the vocalizations
that have been heard during DCI performances in recent years. Anyway, I vote this the best arranged, best sounding ballad ever!
And then, a classic Cadets ending: starts out slow, then it picks up speed, until finally, they are fast and furious and unrelenting. Such range, such power, such joy at the end when you hear the Cadets version of the "Twilight Zone" theme, with mellophones leading the final
charge. And then the final chord: rich, satisfying, full of vigor and some loud percussive beats top it off!
There you have it. My verbal take on a very visual and musical experience that takes my breath away, every time.
The opener has a mysterious bit of pit percussion with the notes from "The Twilight Zone" theme song (you know, doo-doo-doo-doo, doo-doo-doo-doo...). Then what follows is the verbal monologue we all remember from the series. Then comes an explosion of brass and movement like we've not heard in awhile (are you awake now? I know I am.)
Then there is some quotes from "Alice in Wonderland", with a singsongy piece... very playful and evocative of a rollercoaster ride, cotton candy in hand. :)
The ballad is so powerfully emotionally to me that I cease to be my usually
objective self! By utilizing a female voice as an instrument: not singing words but
syllables (almost like scat singing), the Cadets may have added a new tone color
to drum corps. I think George Hopkins was onto something when he suggested
this rule change. The activity has taken a new direction with all the vocalizations
that have been heard during DCI performances in recent years. Anyway, I vote this the best arranged, best sounding ballad ever!
And then, a classic Cadets ending: starts out slow, then it picks up speed, until finally, they are fast and furious and unrelenting. Such range, such power, such joy at the end when you hear the Cadets version of the "Twilight Zone" theme, with mellophones leading the final
charge. And then the final chord: rich, satisfying, full of vigor and some loud percussive beats top it off!
There you have it. My verbal take on a very visual and musical experience that takes my breath away, every time.
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